5 Reasons Why People Prefer Fashion Studies at NIFT

The National Institute of Fashion Technology (NIFT), Delhi, is the bull’s eye for hundreds and thousands of design and fashion aspirants. They spend endless hours to prepare for the entrance exam of this famous institute with the help of NIFT tutorials. The hard work of the aspirants doesn’t end there. The fashion aspirants also spend a quality amount of time and funds practising crafts with different materials and exercising their creative side.

Here are top 5 reasons behind high popularity of NIFT

– Faculty- A chief aspect of NIFT is its faculty members who themselves are industry connoisseurs and have a great technical knowledge, including the latest ones in the application. Their guidance helps the students acquire all sorts of necessary skills, beyond what they had amassed during their NIFT preparation.

– Exposure- Many design aspirants even choose to switch their current institute to shift to NIFT Delhi. NIFT provides a great deal of exposure to its students so that they can work with the leaders of the fashion industry and also launch their own labels. The hours of NIFT preparation is worthy for the aspirants who manage to make here once.

– All-around development- NIFT helps its students to be master of the trade. Pursuing any fashion studies at this college means that the student will be taught how to be an artist, tailor, designer, research analyst, visualizer, and many other things at the same time. The students are taught under apt circumstances to conduct all kinds of research and conceptualization to execute their creative ideas.

– Campus- The campus life of NIFT is something the aspirants vouch for. They spend endless hours working while striking up friendships for life. Though fashion designing has a glamorous façade, its true essence is unveiled to the budding designers who learn the art of balancing the glamour quotient with hard work at NIFT.

– Because it is NIFT- Everybody wants to be a part of something great. And when it comes to the most coveted Institute of fashion studies that have given so many famous designers to our country and offers specializations in multiple elite fashion genres to the common masses, anybody would want to live the NIFT life. Hence the aspirants never hesitate to follow a NIFT preparation strategy for success.

Apart from these factors, there are some more that make NIFT the cream of the crop. It has just the right kind of environment to turn armatures into reputed future fashion designers. Once they get admission in this prestigious college and start taking regular classes, they feel that their NIFT preparation and rigorous hard work has finally paid off.

Who Designed The First Pant Suits?

For many years women were not allowed to wear pant suits, or any type of trousers, as they were seen to be a masculine piece of clothing. Christians also argued that wearing pants was prohibited by the Bible, which is a completely ridiculous statement, of course. Pant suits are comfortable and can be very sexy.

There seems to be some confusion as to when they actually appeared for the first time, and who really designed the first slack suits. This has often been attributed to Yves Saint Laurent, who designed the Le Smoking tuxedo suit for women in 1966. Others will say that it was the great Mademoiselle Coco Chanel who actually designed the first suit for women! She revolutionized the fashion industry with the “little black dress” and used more masculine fabrics in many of her designs.

Chanel’s designs were focused on what she would want to wear, not what was acceptable in the day. Coco Chanel promoted the wearing of pants for women, a fashion which was quickly picked up by stars like Marlene Dietrich, after she was spotted wearing pants on a trip to Italy. Chanel said trousers made it easier for her to climb in and out of the gondolas.

Coco Chanel was way ahead of the times when it came to women’s fashion, and believed that women should be able to dress comfortably. Her motto was “Luxury must be comfortable, otherwise it is not luxury.” She followed through on this idea in the wardrobes that she created, which were sought after by the rich and famous women of the day. She borrowed ideas from the male attire, but left out the harsh tailoring out and hence the articles of clothing she designed had flowing lines and were the epitome of elegance.

Designers to whom the pant suit is accredited are:

• Paul Poiret – introduced a corduroy suit of slacks and a jacket for women in 1925, when the fashion of menswear, monocles and canes was adopted by a small number of women, including actress Katherine Hepburn. This was largely ignored as it was seen to be too masculine

• Coco Channel – designed a very masculine-looking suit of trousers and a jacket for women, in 1933, which was worn by Marlene Dietrich

• André Courrèges – although more renowned for designing the mini-dress, also created a women’s safari-styled outfit consisting of pants and a jacket in 1964. Most people see this as the real beginning of slack suits for women.

• Yves Saint Laurent – designed the Le Smoking tuxedo suit for women in 1966, and began the androgynous fashion of dressing, which many women loved because it was not masculine but gave then all the freedom of masculine clothing.

No matter to whom the original pant suit is accredited, one thing is for certain, it took the originality and innovative designing of Yves Saint Laurent to make this luxurious evening suit for women a fashion trend which was accepted by all. Other design houses took notice of this, because it seemed that someone had at last come up with a viable alternative aimed at the businesswoman. Women’s tuxedos are still very popular today.

Starting Your Own Hat Wear Line – How to Reproduce Your Design Idea Onto a Hat

In the 10 years I have been producing custom designed hat wear for various customers, I have come across many different design ideas from a lot of highly creative people. There are many ways of reproducing a design on a hat. Some ways may be more suitable than others for any particular design. Here are the factors that determine which method is appropriate:

1. If your design consists of only line art:

Note: A line art is a design image that has only solid color lines and solid color areas. If there are people in the artwork, they would look like cartoon characters, instead of a photographic image. If there were any words, they would be solid lines and colors without any half tones, shading or fade-away effects.

In general, line arts are the easiest to reproduce on hats. You can screen-print the design provided the hats don’t have a front center seam as the printing might crack in the middle. If you want to print on a 6-panel hat, you would have to use a method called puff printing. The design is slightly raised from the hat surface and it has a plastic appearance. The colors are very vivid. You can off course embroider your designs, which has a very rich appearance. If you only have thick lines in the design, you might also be able to do 3-D puff embroidery on the hat. This is a very expansive decoration method, and few vendors in the US can do it well on pre-made hats. If you are making your hats from scratch, then this might be an option you want to consider.

2. If your design is a photograph:

Surprisingly, embroidery can reproduce many photographic designs fairly well, say the face of a dog. I would not recommend embroidering the face of a person, say from a family photo, unless you first reduce the complexity to a line art form. For a design with various shading areas and half tone colors, various puff-printing methods are best. You can either print directly on the hats, or you can print the design on a separate fabric, then sew it onto the hats. These methods are usually done overseas in Asia, and therefore require a higher minimum quantity, say 600 to 720 pieces. There is usually a high setup charge involved as well if there are multiple colors, half tones, shadings etc.

3. If you design is made up primarily of words:

This would be similar to line art. However, if you want to embroider your design, keep in mind that there is a minimum size restriction. Imagine the embroidery needle sewing out a word. The needle can only register details to a certain extend. And the smaller the alphabets, the more difficult it is for the needle to register a line clearly. Also, the font you use in the word affects the outcome of the embroidery process greatly. If you choose a thick, chubby, or blocky font, it is much easier to embroider than say a delicate script font. Keep each alphabet as big as possible, the minimum size being 3/16 of an inch wide.

4. If your design has combinations of the above mentioned elements:

You can always combine different methods of decoration on a single hat. However, this will greatly impact your production costs and you would need to pay setup for each of these processes. If you plan product thousands of the same design, this might be feasible. But if your quantity is in the hundreds, this will likely double your production costs as compared to a single method of decoration.

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